What I’ve Been Writing

Because we sure know it hasn’t been blog posts, right?

In fact, the answer is: nothing! It’s been such a long semester, you guys. So long. It’s my last, and for some reason my program shook out to have seven classes in the last term, including two electives that have a heavier workload than my actual core courses.

So unless you want to count HR case studies and transcriptions of dull letters from fictional sports complexes as writing, I’ve been doing sweet fuck-all for the past four months.

But! I still have some news that I’m pretty excited about. A short story I wrote last December, ‘Sage and Salt,’ will be out later this month in the upcoming Fantasy from the Rock anthology from Engen Books!

If you’re into introspective urban fantasy f/f about grief, demons, and the horrors of public transit during a St. John’s winter, you and your very specific interests are in luck!

Check out ‘Sage and Salt’ alongside 20 other stories from Canadian writers in Fantasy from the Rock later this month. The anthology launches on April 27th, and if you can’t make it then, stop by the Engen Books table at Sci-Fi on the Rock from the 28th to the 30th! You can also find me in the Sci-Fi on the Rock Artists Alley that weekend, and I maaaaay have a few copies available there myself. And if I don’t, I’ll still have a bunch of paintings, drawings, prints, zines, and stickers for you to look at!

Also, check out this recent interview where I admit to writing ‘Sage and Salt’ because I inexplicably hyped up its existence when it was just three lines I hated, and then I felt the need to write it so I could retcon that lie into a truth.


Repost: Everything I did wrong my first time selling at a convention…

…and a few things I did right, too!

First posted on @dustygull in 2015. Did I learn from these mistakes? Kinda. Did I make a whole lot more since then? Maaaaaybe. Will I post updates? You bet.

I’ve sold at smaller markets and events before, and I was super-excited for Sci-Fi on the Rock — I’ve been attending for several years now, but this was my first year there as an artist. While I think I can count this one as a success, it could have gone a lot better. Luckily, I know a lot of the reasons why things didn’t go as smoothly as I’d hoped, and most of them are easy fixes. As con season is starting up, I thought I’d post them here for all of you — learning from your mistakes is good, but learning from someone else’s is certainly nicer.

Aim small.

I’m an optimist and I generally over-prepared for everything, and consequently I had way too many prints done. I came home with an awful lot of them, and while that’s not a bad thing — I won’t need to restock before my next event — packing up all of those things at the end of the weekend was a pain, and my bottom line definitely suffered from having so much done. Look at the con’s attendance numbers, ask artists who’ve done it before what a good number of prints is, and don’t shoot too high. Being well-prepared is good, but you don’t want to risk not breaking even.

Bring half of what you think you’ll need.

That old travel advice works well for packing for cons, too. I follow a lot of artists who table at cons, and most of them have big lists of must-haves, which I packed because hey, they’re the experts, right? And then the day before the con I got a little bit panicked and ended up walking around my house, gathering anything that looked like it could possibly come in handy.

Theoretically, having seven kinds of tape and a full tool set is good, but in practice, we were constantly unable to find things we needed. Envelopes and bags kept disappearing whenever we went to bag prints, I misplaced my phone several times, and our little space was cramped and uncomfortable. In the future I’ll be keeping it simple — it’s just a sci-fi convention, not the zombie apocalypse.

…uh. Hopefully.

Anyway, the moral of this story: use packing lists as guidelines only, be mindful of how much space you’re going (or not going) to have, and remember that you’re going to have to lug all this around with you.

Don’t be self-deprecating.

Compliments can feel awkward, I know, and it’s tempting to dodge that awkwardness by downplaying your work. But if a potential customer is telling you that your art is awesome and you shrug it off by drawing attention to your work’s flaws, you run the risk of them going “Wow, I don’t even see those mistakes they’re talking about but I guess they must be there. I’m not buying that.”

Don’t be afraid to get away from your table.

On Friday I didn’t leave my table at all except for quick bathroom breaks, and it was my worst sales day. While there were multiple factors involved, I believe part of my improved sales the following days came from getting out and talking to other artists and con-goers. My spirits were lifted and I was much more animated, which in turn made me a better salesperson. You need to keep your energy up, and it’s difficult to do when you’re stuck behind your table all day.

Make sure most of your space is your space.

We sold friends’ and family members’ stuff alongside our own; some of the things brought in more customers, but some of them without doubt took away from our own sales. Make sure your stuff is the center of attention, and if someone else’s things are selling more, don’t be afraid to put their stuff away for awhile. After all, it’s your space and you paid for it. (If they put in money towards the table or other expenses, that’s a different story, of course — just make sure there’s communication between you and them, so that if your sales are hurting, you can figure out a way to fix it.)

No hiding.

Getting everything we had out on the table seemed like a good idea, and I’d heard other artists rave about how great wire storage cubes are. When set-up time came, we built ourselves an awesome little wire cubbyhole and had everything pinned up on it. The problem was that with two artists with a wide range of work, our table was a cluttered, ugly mess and we were mostly hidden behind the cubes. Taking down the cubes and reorganizing our things saw an immediate jump in sales, and made the con generally more enjoyable for us too, since we had a good view of everything going on and we were able to keep a better eye on our things.

Simplify your cash.

This is one thing we did hugely wrong — my co-artist and I were sharing the same cashbox, but we also had two other people selling their things at ours, each with their own box. As you can imagine, wrangling three cashes got a little complex, and we still haven’t totally straightened it out. Luckily, we ended up with money we hadn’t accounted for, rather than one of us being short, but it could easily have gone the other way.

While keeping money separate made sense at the time, it definitely added to the confusion. If you’re sharing a table with a partner, or selling someone else’s things on their behalf, it’s much better to keep everything together while keeping a simple tally of who sold what.

If you’re sharing a table or have someone to help you out, make sure your tally system is as simple as possible. My system of bookkeeping makes sense only to me, which definitely added to our cashbox confusion, since every time I took a break, I came back to a different method of sales-tracking that was difficult to consolidate with my own.

Simplify your outfit.

I love cosplaying and went as Jubilee on Saturday and Merrill from Dragon Age on Sunday. While I think this actually improved sales — some X-Men fans stopped by the table and bought stuff, and I even ended up selling a few of my co-artist’s Merrill prints because my costume had caught some Dragon Age fans’ attention — both costumes restricted my movement and made reaching across the table difficult. It wasn’t a big deal overall, but I was uncomfortable for a lot of the weekend. I also ended up being way too cold on Saturday, thanks to a crop top in a heavily air-conditioned room; on Sunday the air conditioning seemed to have disappeared, and I was sweltering in three layers of elf gear. It’s hard to be civil, let alone cheerful, when you’re that uncomfortable.

I’ll still be cosplaying at future events, but I’ll be keeping it as simple as possible — nothing that will restrict movement or interfere with working.



I’m not quite sure yet how you manage this in an overwhelmingly loud room, but it’s worth figuring out. There were times when I just couldn’t hear the person across the table, and while I don’t know that it actively hurt our sales, it made getting information from prospective commission-buyers a pain. Next time I’ll be making sure I have enough room to get around my table for a chat. Failing that, I’ll at least arrange things on the table to give myself some leaning room — every time I leaned in to hear a quiet speaker I knocked over a print on display, which made me look clumsy and unprofessional in addition to risking harm to the merchandise.


If a customer seems amenable to chatting, ask what type of items or fandoms they’re looking for. I ended up making a few extra sales when multiple people mentioned a particular fandom and I was able to do a bunch of quick sketches at the table.

Don’t lose momentum post-con.

Unpack your supplies, contact anyone who gave you their information for commissions or other work, compare your remaining inventory with your sales and take note of what your biggest sellers were. If you’ve got a lot of stock left, look at upcoming cons and markets in your area, or look at selling it online. Basically, do whatever needs doing and don’t let yourself sink into a lethargic haze of leftover snack food and Skyrim, which I am hypocritically doing right this very moment. (If I can figure out how to carry my merchant perk over into real life, though, I’ll be golden.)

I hope at least some of that was useful! If you have any questions or tips you’d like to share, please let me know in the comments! Unless it’s a packing list, because believe you me, I have already packed it.

Repost: cosplay 101

First posted on @extermikate in 2014. I’d like to say I’ve learned since then, but I really haven’t.

This is my first year really getting into the cosplay thing; all of my previous costumes for conventions have been half-assed closet cosplays using things commonly found in closets and dressers everywhere, like flak jackets and neon pink spandex crop tops. Sci-Fi on the Rock is two days away and I’m nowhere near ready. I’ve made the same mistakes over and over. I have not learned from them. I’m posting them here so that maybe you will.

  • If you think you need one of something, buy four hundred, because you will need at least that many. Probably more, but it’s a good start.
  • No matter how many of something you have, you’ll run out. At this point, you will discover that it’s been discontinued, even if you only bought it yesterday. (Note: this is only true if you have already used that thing and your cosplay is half-finished. If there’s still time to substitute a replacement with minimal emotional/financial distress, the thing you need will be in stock at every store.)
  • The fabric store cannot be trusted. Go to thrift stores instead. They too cannot be trusted, but their wares are varied and far less confusing.
  • If you are using a tutorial and skip a step for any reason, that step will turn out to be crucial to the structural integrity/overall appearance of the piece, no matter how insignificant or unsuited to your needs it appears to be.
  • The sewing machine is filled with evil spirits. Do not let them taste your blood, however sweetly they lie to you. Their thirst cannot be quenched.
  • Even the fussiest cat will happily eat wigs, taffeta, and tulle. Guard these things accordingly.
  • If you have big feet, you will never find the footwear you need for your cosplay. Ever. Don’t even try. Put paper bags over your giant yeti feet and stomp anyone who questions it.
  • Always do the entire costume in one sitting. The whole damn thing. If you pause for any reason, you’ll return to discover that every choice you made was bewildering and nonsensical, and you will not be able to reverse-engineer your own work to figure out exactly what you were trying to do. If you’ve done this, don’t worry — just light your work on fire, scatter the ashes, and start over from scratch.
  • Is your costume made of weapons-grade steel, soldered together by the best metalsmith in the business? Too bad! It’s still going to fall apart unless you keep a roll of tape on your person at all times to ward off the cosplay demons.
  • Whatever your budget is, you will spend at least twice that much, and still end up scouring your house for leftover paint and bits of old curtains to finish your costume.
  • Redesign an item to make it more comfortable? Yeahhhhh, it’s still gonna be a pain in the ass, so don’t bother.
  • In a pinch, you can use a beloved childhood toy in place of a wig head, but the results will be terrifying to behold. Do not try to hide it in the closet; it just makes it creepier. And angrier. And hungrier.

Expert cosplayer? Know a risk-free incantation to ward off vengeful fabric spirits? Share your tips and tricks! (No, seriously, share them. It may be too late for me, but there are still novices out there who could be saved.)

Repost: 24 things i didn’t put on my resume

While looking through my old blogs to find particular posts I wanted to migrate over here, I came across this one I’d forgotten about. Since I updated my resume just today, it felt like a sign to repost this. (Originally posted @extermikate, 2014. It’s still hideously accurate.)

I revamped my resume recently in the hopes of landing myself gainful employment. Here are 24 accomplishments that didn’t make the final cut.

1. Frequently gets out of bed despite never, ever wanting to, 1986-.

2. Three degrees of separation from the entire cast of Star Trek: Deep Space Nine, 2004-.

3. Unusually soft hair, 2009-.

4. Proven track record of vocal excellence in such Rock Band songs as “Tribute,” “Don’t Stop Believin’,” and “Spaghetti Cat.”

5. Got all the way through House of Leaves despite finding it both unspeakably boring and unspeakably terrifying, 2009.

6. Able to order alcohol, diner food, and/or baked goods in five modern languages, three dead languages, and both Sindarin and Quenya; currently working on Klingon, Irish, and Old Norse.

7. Demonstrates astounding willpower by consistently resisting the urge to answer any question starting with “Is this…” with “NO, THIS IS PATRICK.”

8. Got 100% on a totally improvised final presentation that involved pretending an apple was my baby and then eating it, 2004.

9. Probably the only person in the world who genuinely loves small talk, and will happily converse about the weather with you for hours (if you so desire).

10. Did not get fired from Tim Hortons despite breaking every single rule from the dress code at least once, 2004-2006.

11. Awarded bonus XP for relatively decent map-making skills, D&D campaign, 2013.

12. First TV appearance: girl rocking oddly from side to side while a classmate read a book, CBC weather segment, ~1995.

13. First published work: story entitled “Helpful Bunnies,” student newspaper, 1991.

14. Thorough knowledge of the history, politics, and culture of Tamriel and Thedas.

15. Card-carrying member of Panic! at the Disco fan club, 2008-2010.

16. Able to turn literally any conversation into a lecture on how teleportation presents more challenges morally than scientifically.

17. Winner of Most Mannerly Brownie award, Brownie camp, ~1994.

18. Second TV appearance: audience member, Uh-Oh! taping, 1997; received Wink Yahoo’s autograph and a package of grape bubble gum as payment.

19. Has a Harry Potter reference for any and every situation, 1998-.

20. Can perform one-man show of the Buffy musical with minimal preparation/rehearsal, 2001-.

21. Was told by high school chemistry teacher it was impossible to pass his class without doing the homework; proved him wrong, 2004.

22. Successfully utilized Masuda method to breed shiny Oddish, 2013.

23. Talked about butts with local legend Ron Hynes, 2010.

24. To date, has survived every single one of own (numerous) terrible life choices, 1986-.

Hi, hello, welcome!

First posts are always so awkward, aren’t they? So, uh: hello! I’m Katie, and I’m an artist and writer from Newfoundland. If you’re looking for my art, check out the links above. If you’re looking for my writing, stay tuned: I have a few exciting things coming up in 2017!

Over the next couple of days, I’ll be migrating some posts from my old blog to here, so apologies if you’ve seen them all before. But once that’s out of the way, it’s all new content. In the meantime, stick around, and feel free to say hi!